Trump runs his meetings like a TV director. Here’s what it was like on his set
In the polished surroundings of the White House Cabinet Room, something unexpected unfolds: a presidential meeting that feels more like a television production than a government gathering. According to firsthand accounts, Donald Trump approaches his meetings with the meticulous attention to detail of a seasoned TV director.
Just before proceedings begin, the former president can be seen personally adjusting television cameras, ensuring every angle captures the perfect shot. His focus extends beyond policy to staging - lighting, positioning, and visual presentation all receive his careful consideration. This hands-on approach transforms traditional meetings into carefully orchestrated events.
A recent incident in the Cabinet Room perfectly illustrates his unique style. During preparations, a cameraman accidentally bumped into a large mirror hanging on the wall opposite Trump. The former president immediately noticed the collision, cautioning with characteristic flair, "Ooh, you got to watch that. You’re not allowed to break that..."
The moment reveals a presidency where visual control was paramount. Trump’s background in entertainment and media clearly shaped his approach to governance, blending political discourse with production values. This fusion of politics and showmanship created a distinctive atmosphere where every visual element was considered part of the message.
As observers note, Trump’s meeting style reflects a broader philosophy where image and perception are integral to communication. The mirror incident wasn’t just about avoiding damage - it symbolized the care taken with every aspect of presidential presentation. From camera placement to room aesthetics, nothing was left to chance.
In an era where political communication increasingly resembles entertainment, Trump’s approach offered a preview of how performance might intersect with governance. His meetings weren’t just about what was said, but how it was framed for the audience - whether in person or through screens.
For those who experienced these sessions firsthand, the TV director analogy felt increasingly apt. Each gathering became a carefully staged production, with the former president as both subject and master of ceremonies.
Read the original reporting in The Age for more details.